You can learn how to play the open position Cm chord and CAGED Cm shape!
This is the 9th video in the series guitar chords, which is all about how to play CAGED chords.
The first video was an overview, we then had the five major CAGED chords, followed by the F and B chord.
These next seven videos are about the minor chords. We start here with the open position Cm chord.
Ironically, this chord is basically impossible to play in its full shape as you see here in the Chordacus image.
The way around this dilemma is to find our fractions. There are two possibilities.
- You can play just strings 3-5. This is technically a Cm chord, we play the root, the m3rd, and the 5th. But it doesn’t sound that great, we don’t use it that much, it’s a bit muddy.
- We can also play strings 2-4. It’s a bit weird here in the open position, but, moving it up the fretboard, we get my favorite minor chord shape.
Once we extend the Cm chord/shape, things get easier so let’s look at this next.
Cm chord extensions
Here are all possible extensions we can have in the Cm shape. If you can visualize the intervals around the shape, you can build all these chords.
- Cm chord (root, m3rd, 5th, root)
- Cm7 (root, m3rd, b7, root)
- Cm7b5 (root, b7, m3rd, b5)
- Cmmaj7 (root, m3rd, 5th, 7)
- Cm9 (root, m3rd, b7, 9)
- Cm6 (root, m3rd, 6, root)
- Cm11 (root, b7, 9, 11)
You definitely need song examples in order to actually learn all these Cm-shaped chords. You must experience them in context.
A great example is Roxanne. As an acoustic version, the first chord of the verse works really well using a Cm shape.
Another example we find is in Robbie William’s Angels. During the solo, you play an open position Bm11, in a Cm shape.
Building scales and arpeggios around the Cm chord/shape
There are more things you can do to the Cm shape. We can turn it into two arpeggios, a Minor Pentatonic, the minor blues scale, Conspirian, Dorian, Aeolian (the natural minor scale), and Phrygian.
Below are all intervals used to build these arpeggios and scales around the Cm-shaped chord.
If you can see all intervals around the chord shape, you can play all these arpeggios and scales.
Even though the Cm chord shape is impossible to play, you still must learn it in order to use playing fractions, as an extended chord as well as all these arpeggios and modes.
Out of all contradictions that the guitar brings, this is my favorite.
Learn how to build minor and major guitar chords using the CAGED system.
This is the foundation upon which we learn to extend chords and build arpeggios and modes as well.
Go to Guitar chords.