Angel Eyes | Chords + Lyrics
Intro (0:00)
| 12/8 Am Am/G Am/F# Am/F | Am |
Verse 1 (0:16)
| Am Am/G Am/F# Am/F | Am/E Am/Eb |
Try to think that love’s not around,
| Am Am/G Am/F# | Bm7 E7 |
but it’s uncomfortably near.
| Am Am/G Am/F# Am/F | Am/E Am/Eb |
My old heart ain’t gaining no ground,
| Dm C B7 E | Am |
because my angel eyes ain’t here.
Verse 2 (1:01)
| Am Am/G Am/F# Am/F | Am/E Am/Eb |
Angel eyes, that old devil sent,
| Am Am/G Am/F# | Bm7 E7 |
they glow unbearably bright.
| Am Am/G Am/F# Am/F | Am/E Am/Eb |
Need I say that my love’s misspent,
| Dm C B7 E | Am |
misspent with angel eyes tonight
Bridge 1 (1:46)
| Gm C7b9 | Fmaj7 F#dim7 |
So drink up all you people,
| Gm C7b9 | Fmaj7 |
order anything you see.
| F#m B7b9 | E6 |
Have fun, you happy people,
| Ebsus4 | Bm7 Bb7 |
the drinks and the laughs are on me.
Verse 3 (2:30)
| Am Am/G Am/F# Am/F | Am/E Am/Eb |
Pardon me, but I got to run,
| Am Am/G Am/F# | Bm7 E7 |
the fact’s uncommonly clear.
| Am Am/G Am/F# Am/F | Am/E Am/Eb |
Got to find who’s now number one,
| Dm7 C B7 E | Am |
and why my angel eyes ain’t here.
Bridge 2 (3:16)
| Gm C7b9 | Fmaj7 F#dim7 |
So drink up all you people,
| Gm C7b9 | Fmaj7 |
order anything you see.
| F#m B7b9 | E6 |
Have fun, you happy people,
| Ebsus4 | Bm7 Bb7 |
the drinks and the laughs, on me.
Verse 4 (4:00)
| Am Am/G Am/F# Am/F | Am/E Am/Eb |
Pardon me, but I got to run,
| Am Am/G Am/F# | Bm7 E7 |
the fact’s uncommonly clear.
| Am Am/G Am/F# Am/F | Am/E Am/Eb |
Got to find who’s now number one,
| Dm7 C B7 E | Am |
and why my angel eyes ain’t here.
| Dm7 C B7 E | Am Am/G# | Ammaj7 ||
Excuse me while I disappear.
Angel Eyes’ chords and progressions
The verse uses a chromatic descending bass line as it moves Am – Am/G – Am/F# – Am/F – Am/E Am/Eb.
This is a very sad movement, so when moving to the bridge’s II – V – I, we get a serious dose of harmonic release.
Being in Am, it is certainly very tempting to use the open-position chords as you see first in the video above.
The bass line really shines this way, but staying down there for the whole song may become a bit boring if you have jazzier aspirations.
The second time the verse appears, I play around fret five instead, using an Am chord in an Em shape. Still, applying the bass line.
This way, when you go back to the open position Am, it sounds even bigger!
By using different positions of the same chord progression like this we can create natural dynamics in any song.
Speaking of chord progressions, compare the falling bass line of chord VI to the #9 spot on my top 10 chord progression spot, the VI – V – IV – IIIx.
Angel Eyes’ background and covers
Composed and first released (motion picture Jennifer) back in 1953 by Matt Dennis and Earl Brent, it has become a jazz standard as it’s been recorded by a seemingly endless stream of artists.
Here’s an incomplete list of famous singers and instrumental artists that have recorded their versions since.
Frank Sinatra, Sting, Bruce Springsteen, Nancy Wilson, Kandace Springs and Norah Jones, Willie Nelson, Oscar Peterson, Barry Manilow, Roberta Flack, Ella Fitzgerald, Nat King Cole, Ray Charles, Kenny Burrell, Sherley Bassey, Wayne Shorter, Chet Baker.
This collective effort is what earned Angel Eyes the title – A Jazz Standard.
Angel Eyes chords | Related pages
Angel Eyes – 8 guitar lessons
Angel Eyes by Matt Dennis will soon be available as eight step-by-step guitar lessons.
Until then, TAB for what I play in the video is available.
Angel Eyes – 8 guitar lessons.
Advanced Acoustic Songs
These songs use big chord extensions and sometimes, unique and complex chords that incorporate open strings.
Study these in-depth and you will gain a complete understanding of the guitar fretboard, including how to build any scale, arpeggio, or chord.
Angel Eyes – 5 similar tunes
- All In Love Is Fair chords
- Cry Me A River chords
- My Funny Valentine chords
- Summertime chords
- Why Don’t You Do Right chords
Matt Dennis
Exposed to music from an early age with his parents being professional musicians, Matt Dennis took to the piano, singing and arranging like a fish to water!
Performing with his family from an early age in the Vaudeville tradition, Matt got to know American showbiz before he even learned to read or write.
Matt Dennis on the web
Frank Sinatra
Frank’s legacy might best be summed up by Stephen Holden who wrote for the 1983 Rolling Stone Record Guide:
“Frank Sinatra’s voice is pop music history. Like Presley and Dylan – Sinatra will last indefinitely. He virtually invented modern pop song phrasing.”