Chords + Lyrics | L-O-V-E
Intro
||: G G6 | Gmaj7 G6 :||
Verse 1
| G G6 | Gmaj7 G6 | A7sus4 Am | Am6 Am7 |
L, is for the way you look at me.
| D7 D9 | D7 D9 | G G6 | Gmaj7 G6 |
O, is for the only one I see.
| G G9 | G7 G9 | C C6 | Cmaj7 C6 |
V, is very, very extraordinary.
| A7 A | A9 A7 | D7 N.C | N.C |
E, is even more than anyone that you adore.
Verse 2
| G G6 | Gmaj7 G6 | A7sus4 Am | Am6 Am7 |
Can love, is all that I can give to you.
| D7 D9 | D7 D9 | G G6 | Gmaj7 G6 |
Love, is more than just a game for two.
| G G9 | G7 G9 | C C6 | C#dim7 Edim7 |
Two in love can make it, take my heart and please don’t break it.
| G G6 | D7 D9 | G G6 | Ab7 |
Love, was made for me and you.
Solo
| Ab Ab6 | Abmaj7 Ab6 | Bb7sus4 Bbm | Bbm6 Bbm7 |
| Eb7 Eb9 | Eb7 Eb9 | Ab Ab6 | Abmaj7 Ab6 |
| Ab Ab9 | Ab7 Ab9 | Db Db6 | Ddim7 Fdim7 |
| Ab Ab6 | Eb7 Eb9 | Ab Ab6 | A7 |
Verse 3
| A A6 | Amaj7 A6 | B7sus4 Bm | Bm6 Bm7 |
L, is for the way you look at me.
| E7 E9 | E7 E9 | A A6 | Amaj7 A6 |
O, is for the only one I see.
| A A9 | A7 A9 | D D6 | Dmaj7 D6 |
V, is very, very extraordinary.
| B7 B | B9 B7 | E7 N.C | N.C |
E, is even more than anyone that you adore.
Verse 4
| A A6 | Amaj7 A6 | B7sus4 Bm | Bm6 Bm7 |
Can love, is all that I can give to you.
| E7 E9 | E7 E9 | A A6 | Amaj7 A6 |
Love, is more than just a game for two.
| A A9 | A7 A9 | D D6 | D#dim7 F#dim7 |
Two in love can make it, take my heart and please don’t break it.
| A A6 | E7 E9 | A A6 | F#9 F#7 |
Love, was made for me and you.
End
| Bm7 Bm11 | E9 E7 | A A6 | F#9 F#7 |
Love was made for me and you.
| Bm7 Bm11 | E9 E7 | A A/G | A/F# A/F | A/E | (E F# G# A) | A6 |
Love was made for me and you.
L-O-V-E Chords: Understanding the Extensions and Key Changes
The chords for L-O-V-E are much simpler than they might seem when paired with lyrics.
At its core, the song follows a common chord progression, but when combined with two distinct melodies, it produces sophisticated-sounding chord extensions. Once you break these elements down, everything falls into place.
Here are the basic chords for the first verse in the key of G:
| Gmaj7 | Gmaj7 | Am7 | Am7 |
| D7 | D7 | Gmaj7 | Gmaj7 |
| G7 | G7 | Cmaj7 | Cmaj7 |
| A7 | A7 | D7 N.C | N.C |
The first half follows the I – II – V – I progression.
In the second half, the I chord becomes a dominant 7, leading into IV and IIx, before resolving on V—a common movement.
Melody and Chord Extensions
The first melody line moves through D – E – F# – E, producing these extensions:
G = | G G6 | Gmaj7 G6 |
Am = | A7sus4 Am | Am6 Am7 |
D = | D7 D9 | D7 D9 |
For the second half, the melody shifts to G – A – B – A, creating:
G7 = | G G9 | G7 G9 |
C = | C C6 | Cmaj7 C6 |
A = | A7 A | A9 A |
At first glance, these extensions may seem complex, but once you see the pattern, the concept is surprisingly simple—and brilliant.
To get detailed TAB for how to play all these chords, check out the complete lesson here: L-O-V-E – Guitar Lesson with TAB.
Verse 2 Variations
The second verse modifies the second half:
| G7 G9 | G7 G9 | C C6 | C#dim7 Edim7 |
| G G6 | D9 D7 | G G6 | Ab7 |
Here, the IV chord (C) moves to a diminished 7th. The transition from C#dim7 to Edim7 maintains harmonic momentum while keeping the two-bar changes consistent—these chords share the same notes.
The final line is another I – V – I resolution, keeping the extended voicings consistent with the rest of the song. The last bar modulates up a semitone.
Modulations and Song Structure
- The solo repeats verse 2, transposed up a semitone to Ab.
- Verses 3 and 4 follow the structure of verses 1 and 2, now in A.
- The ending features a II – V – I – VI progression—classic jazz changes—with extended voicings adding sophistication.
Playing L-O-V-E
Play along with the original recording (playlist at the top of the page) using the chord charts (below) and/or chord and lyrics (above) as a guide. You’ll soon realise that L-O-V-E‘s chords, as played by Nat King Cole, are far less intimidating than they appear.
The chord chart spans two pages due to key changes. The only way to fit it onto one page would be to write Change Key twice at the end and rely on your ability to shift keys on the fly.
I’d recommend practising this way, but for a gig, it’s best to have the full chart. Then again, if you spend enough time with L-O-V-E‘s chords, you’ll memorise them!
L-O-V-E Chord Chart | PDF + iReal Pro Download
Download my chord charts as a PDF or in the iReal Pro format.
Since L-O-V-E is a jazz standard, the iReal Pro version is highly recommended. The app’s backing track feature allows you to practise comping, soloing, and playing the melody in all 12 keys!
- L-O-V-E chord chart PDF – page 1
- L-O-V-E chord chart PDF – page 2
- L-O-V-E iReal Pro – page 1
- L-O-V-E iReal Pro – page 2
L-O-V-E TAB | Course Preview
In the course, we integrate the string line with the chords to capture all the extensions. From there, we turn it into a playable part and eventually move around the neck.
As a preview, here’s that string line. Try playing it over verse 1 — it’s genius!
From Instrumental to Icon: How L-O-V-E Became Nat King Cole’s Multilingual Classic
Few songs feel as effortlessly charming as L-O-V-E by Nat King Cole. Released in 1965 during the final year of his life, it became one of his most enduring recordings. Unlike many of Cole’s earlier jazz-leaning hits, L-O-V-E was written specifically for him by Bert Kaempfert, the German bandleader best known for co-writing Strangers in the Night and Spanish Eyes. Kaempfert had a gift for crafting melodies that felt both instantly familiar and subtly sophisticated, and L-O-V-E is perhaps his finest example.
Originally conceived as an instrumental titled Bert’s Tune, the piece caught Nat’s attention during a session in Los Angeles. Rather than simply singing over the arrangement, Cole worked with lyricist Milt Gabler to create a playful, almost conversational set of lines built around the spelling of “love.” It was a clever twist: simple enough for any listener to remember, yet rhythmically intricate in a way only a jazz singer with Cole’s phrasing could pull off.
But Cole didn’t stop there, he recorded the song in multiple languages — Japanese, Spanish, German, Italian, and French — each version sung with remarkable accuracy. This wasn’t a gimmick; international releases were becoming a major part of Capitol Records’ strategy, and Cole was uniquely capable of making foreign-language versions sound natural rather than forced. These multilingual cuts helped the song travel further than almost any other pop vocal of the mid-60s.
The arrangement is equally noteworthy. That bright, brassy opening line sits somewhere between big band swing and early 60s lounge pop, giving the tune a timeless quality — modern yet classic, polished yet joyful. It’s no wonder L-O-V-E remains Cole’s signature song, an elegant reminder of what made him one of the most distinctive vocalists of the 20th century.
L-O-V-E Chords: Continue Learning
Want to master this song? Check out the full TAB lesson here: L-O-V-E (Nat King Cole) Guitar Lesson with TAB.
Alternatively, here are five similar tunes you might enjoy:
