Get Back | Chords + Lyrics
Intro
| A5 (A6) | A5 (A6) | A5 (A6) | A5 (A6) G5 D5 |
Verse 1
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A5 (A6 A7) |
Jojo was a man who thought he was a loner, but he knew it couldn’t last.
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A5 (A6 A7) |
Jojo left his home in Tucson, Arizona, for some California grass.
Chorus 1
| A7 | A7 | D7 | A5 G5 D5 |
Get back, get back, get back to where you once belonged.
| A7 | A7 | D7 | A5 (A6) |
Get back, get back, get back to where you once belonged. Get back Jojo.
Solo
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A5 (A6) G5 D5 |
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A5 (A6) G5 D5 |
Go home.
Chorus 2
| A5 (A6 A7) | A5 (A6 A7) | D5 (D6) | A5 G5 D5 |
Get back, get back, back to where you once belonged.
| A5 (A6 A7) | A5 (A6 A7) | D5 (D6) | D7 | D7 |
Get back, get back, back to where you once belonged, yeah. Oh, get back, Jo.
Solo 2
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A7 (A6) G5 D5 |
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A7 (A6) G5 D5 |
Verse 2
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A5 (A6 A7) |
Sweet Loretta Martin thought she was a woman, but she was another man.
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A5 (A6) G5 D5 |
All the girls around her say she’s got it coming, but she gets it while she can.
Chorus 3
| A7 | A7 | D7 | A5 G5 D5 |
Oh, get back, get back, get back to where you once belonged.
| A7 | A7 | D7 | A5 (A6) |
Get back, get back, get back to where you once belonged. Get back Loretta, woo, woo.
Solo 3
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A5 (A6) G5 D5 |
| A5 (A6) | A5 (A6 A7) | D7 (D6) | A5 (A6) G5 D5 |
Go home.
Chorus 4
| A7 | A7 | D7 | A5 (A6) G5 D5 |
Oh, get back, yeah, get back, get back to where you once belonged.
| A7 | A7 | D5 D7 D6 | D5 | D5 |
Yeah, get back, get back, get back to where you once belonged. Ooh…
Get Back Chords: Learn the progressions
Moving mainly between chords I – IV (#1 on the chord progression list) only a G is added to the mix. Since Get Back is clearly in the key of A, the G chord is a bVIIx.
When it comes to the chord extensions, it’s difficult to pin them down as both Lennon and Harrison play chord licks using various extensions.
Overall, it’s a mix of 5, 6, and dom7 chords. Think Johnny B. Goode, honky tonk, but with more licks.
Apparently, it’s Lennon who plays most of the little licks, panned to the left, although it does suspiciously close to how Eric Clapton plays… Harrison is playing more rhythm, panned the right.
If you are the only guitar player in your band, you need to somehow combine these two parts, an amazing challenge!
Get Back – Another #1 from The Beatles!
As their only time credited with another musician, namely Billy Preston, Get Back is another song from The Beatles‘ gigantic hit parade.
Released both as a single and on the group’s final album, Let It Be, it reached #1 in 13 countries, selling 4.5 million copies worldwide.
Other notable songs from this album would be The Long And Winding Road, Across The Universe, and of course, Let It Be.
Produced by Phil Spector and released in 1970, this was the last studio album The Beatles made. Study the chords and lyrics above carefully to see how they put together one of their 20 #1’s.
Get Back Chords | Related Pages
Five similar tunes with chords and lyrics
- Back In The U.S.S.R. chords by The Beatles
- Drive My Car chords by The Beatles
- I Saw Her Standing There chords by The Beatles
- In the Midnight Hour chords by Wilson Pickett
- Knock On Wood
The Beatles tunes
The Beatles are the most commercially successful and critically acclaimed band in the history of popular music.
As the leaders of the so-called British Invasion, their catchy Rock n Roll infused pop songs took America by storm, creating hysteria everywhere they went.
The Beatles on the web
Rock n Roll & Early Pop
As popular music was starting to take shape, the earliest styles that came out of Jazz and Blues were Rock n Roll & Early Pop.
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About me | Dan Lundholm
This was a guitar lesson about Get Back chords, by Dan Lundholm. Discover more about him and learn guitar with Spytunes.
Most importantly, find out why you should learn guitar through playing tunes, not practising scales, and studying theory in isolation.