Chords + Lyrics | Everywhere
Intro
||: E Emaj7 | E6 Emaj7 :|| x3
| E Emaj7 | E6 |
||: E B | E B | E B | C#m7 A :||
Calling out your name. Calling out your name.
Verse 1
| E B | E B |
Can you hear me calling, out your name?
| E B | C#m7 A |
You know that I’m falling and I don’t know what to say.
| E B | E B |
I’ll speak a little louder, I’ll even shout.
| E B | C#m7 A |
You know that I’m proud and I can’t get the words out.
Chorus 1
||: B C#m7 | A B | C#m7 B | A B :||
Oh, I, I want to be with you everywhere.
Oh, I, I want to be with you everywhere (wanna be with you everywhere).
Instrumental 1
| E B | E B | E B | C#m7 A |
Verse 2
Something’s happening, happening to me.
My friends say I’m acting peculiarly.
Come on, baby, we better make a start.
You better make it soon before you break my heart.
Chorus 2
Oh, I, I want to be with you everywhere.
Oh, I, I want to be with you everywhere (wanna be with you everywhere).
Instrumental 2
||: E Emaj7 | E6 Emaj7 :||
||: E Eadd9 | E Eadd9 :||
Verse 3
Can you hear me calling, out your name?
You know that I’m falling and I don’t know what to say.
Come along, baby, we better make a start.
You better make it soon before you break my heart.
Chorus 3
Oh, I, I want to be with you everywhere.
Oh, I, I want to be with you everywhere.
Oh, I, I want to be with you everywhere.
Oh, I, I want to be with you everywhere (wanna be with you everywhere).
Outro
||: E :|| x5
||: E (G# A B E ) | E5 | E (D# E F# B) | E5 :|| to fade
Da, da, dum, da…
Everywhere Backing Tracks | Chord Analysis
Above, you’ll find backing tracks to use when learning Everywhere. I’ve used stem separation to extract the guitar while keeping the drums, bass, keys, and vocals intact.
After studying the chords and TAB, use my backing tracks to prepare for playing this tune with a band.
Should you want to play along with the original recording instead, you need to tune your guitar sharp to 444Hz. In the backing tracks, I’ve done this job for you by tuning it to 440Hz.
Chord Progressions – What’s Going On?
As the chords in Everywhere are played on keyboards with sparse, picked guitar parts, I’ve designed a part that works if you’re the only guitarist in a band.
Many classic tunes have multiple guitar parts, so developing the ability to combine them is an essential skill for live performance. The more songs you study with my help, the better you’ll get at this.
The intro is reminiscent of Kiss Me, moving over the I chord with extended harmonies:
||: E Emaj7 | E6 Emaj7 :||
From there, the progression transitions into what will also serve as the verse, cycling between I – V before moving to VI – IV:
||: E (I) B (V) :|| x3
| C#m7 (VI) A (IV) |
Chorus
The chorus takes a different approach, skipping the I chord and instead following V – VI – IV – V:
||: B (V) C#m7 (VI) | A (IV) B (V) :||
To see my TAB for how to play all this, look further down this guitar lesson.
Armed with the TAB, this chord chart should be useful to bring to the gig.
Everywhere Chord Chart | PDF + iReal Pro Download
Should you want to download this chart, here’s a PDF: Everywhere chord chart PDF.
This chord chart was created using iReal Pro, here’s a link to that file: Everywhere iReal Pro. Using this and the iRealPro app, you can change the key.
Everywhere | TAB
As it’s mainly built around keyboard chords and sparse, picked guitar parts, I’ve reworked what you could play if you’re the only guitarist in the band. Let’s start with the intro.
There’s a fast synth line—hopefully someone else is covering that—so while they do, you could play these underlying chords:
The verse chords move I – V three times, followed by VI – IV. In the chords and lyrics above, I’ve written these as triads, but here in TAB, they’re shown as power chords.
Once you can play what the TAB shows, feel free to build on it. The main aim here was to create something solid.
The chorus follows the same idea—solid and playable. Here it is using TAB. Again, feel free to develop it!
Finally, the outro explores the E chord in a different way from the intro—I thought this part worked really well:
I’ve labelled the chords here as Eadd4 (since there’s still a 3rd), and Emaj9, as the melody includes the major 7th and 9th.
When you can play all this TAB, try it out usng the backing track and chord chart.
Fleetwood Mac’s last big hit
Sung by Fleetwood Mac’s “other” female vocalist, Christine McVie, Everywhere became a huge hit in 1987—over a decade after the band’s masterpiece, Rumours.
Just before it, another single from Tango in the Night, Little Lies, also performed well. But after Everywhere, the band never had another major hit.
Before Tango in the Night, Fleetwood Mac had struggled commercially, with two albums that flopped—the outrageously expensive but underwhelming Tusk (1979) and Mirage (1982).
Fleetwood Mac’s success came in three distinct eras:
- The early Peter Green years, with Albatross, Black Magic Woman, and Need Your Love So Bad.
- The Rumours era (1977), with Go Your Own Way, Dreams, and Don’t Stop.
- The late-’80s resurgence, with Little Lies and Everywhere.
If you haven’t yet tried it, throw a Fleetwood Mac hit into your set and watch the crowd go nuts. Despite their massive popularity, their songs still feel like an unexpected but brilliant choice for a working band.
Everywhere Chords: Continue Learning
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