(They Long To Be) Close To You – Carpenters
| Csus2 | Bm | Bm7 | Em Esus2 E5 Em7 |
Why do birds suddenly appear, every time, you are near?
| Cadd9 | Cadd9 | G | G |
Just like me, they long to be, close to you.
(They Long To Be) Close To You chords.
1234 – Feist
| D D/C# | Bm G |
One, two, three, four, tell me that you love me more.
| D D/C# | Bm G |
Sleepless long nights, that is what my youth was for.
All My Life – Foo Fighters
| G5 | G5 |
All my life, I’ve been searching for something,
| G5 | G5 |
something never comes, never leads to nothing.
American Idiot – Green Day
| N.C | N.C G | Ab Db | Gb Db Ab Gb |
Don’t wanna be an American idiot.
| N.C | N.C G | Ab Db | Gb Db Ab Gb |
Don’t want a nation under the new media.
Arthur’s Theme – Christopher Cross
| Dm7 G | C Fmaj13 |
Once in your life you find her, someone that turns your heart around,
| Bb E7 | Aadd4 Asus2 A |
and next thing you know you’re closing down the town.
Basket Case – Green Day
| Eb5 | Bb5 | C5 | G5 | Ab5 | Eb5 | Bb5 | Bb5 |
Do you have the time, to listen to me whine, about nothing and everything all at once?
| Eb5 | Bb5 | C5 | G5 | Ab5 | Eb5 | Bb5 | Bb5 |
I am one of those, melodramatic fools. Neurotic to the bone, no doubt about it.
Beautiful – Christine Aguilera
| Eb | Db | Cm | B5 |
Every day is so wonderful, then suddenly, it’s hard to breathe.
| Eb | Db | Cm | B5 |
Now and then I get insecure, from all the pain, I’m so ashamed.
Belief – John Mayer
| Dm Dmadd4add9 | Gm7 Gmadd4add6 |
Is there anyone who, ever remembers,
| C9 C6 | Dm Dmadd4b6 |
changing their mind from, the paint on a sign.
Born Under A Bad Sign – Albert King
| Db7 | Db7 | Db7 | Db7 (Gb G) |
Born under a bad sign, been down since I began to crawl.
| Ab7 | Gb7 | Db7 | Db7 |
If it wasn’t for bad luck, you know I wouldn’t have no luck at all.
Breakfast At Tiffany’s – Deep Blue Something
| D | Bm7 A Asus4 | D |
You’ll say, the world has come between us.
| Bm7 A Asus4 | D | Bm7 A Asus4 | D | Bm7 A Asus4 |
Our lives have come between us, still I know you just don’t care.
Breakfast At Tiffany’s chords.
Bullet In The Head – Rage Against The Machine
| E7 | E7 |
This time the bullet cold rocked ya. A yellow ribbon instead of a swastika.
| E7 | E7 |
Nothing proper about ya propaganda. Fools follow rules when the set commands ya.
Call It Stormy Monday – T-Bone Walker
| G9 | C9 | G9 | G9 |
They call it stormy Monday, but Tuesday’s just as bad.
| C9 | C9 | G9 | G9 |
They call it stormy Monday, but Tuesday’s just as bad.
Creepin’ In – Norah Jones/Dolly Parton
| G | C (Csus2) | G | Dsus2 (D) |
There’s a big ol’ hole, that gone right through the sole, of this old shoe.
| G G7 | C Cm |
And the water on the ground, ain’t got no place else it’s found,
Crossroads – Cream (Robert Johnson)
| A7 | D7 | A7 | A7 |
I went down to the crossroads, fell down on my knee.
| D5 D6 D5 D6 | D5 D6 D5 D6 | A7 | A7 |
Down to the crossroads, fell down on my knee.
Empire State Of Mind – Alicia Keys (JAY-Z)
| F# | F# | Bmaj7 | Bmaj7 |
Grew up in a town that is famous as a place of movie scenes.
| F# | F# | Bmaj7 | Bmaj7 |
Noise is always loud, there are sirens all around and the streets are mean.
Killing In The Name – Rage Against The Machine
||: Muted Verse riff :||
||: Some of those that work forces, are the same that burn crosses :|| x3
Some of those that work forces, you are the same that burn crosses.
Know Your Enemy – Rage Against The Machine
||: (E) F#5 A5 F#5 (E) F#5 | (E) F#5 C5 B5 A5 |
| (E) F#5 A5 F#5 (E) F#5 | (E) F#5 C#5 B5 A5 E5 :|| x3 (114 BPM)
Know your enemy! Come on!
Last Request – Paolo Nutini
| D | F#m | Am | Em |
Slow down, lie down. Remember it’s just you and me.
| D | F#m | Am | Em |
Don’t sell out, bow out. Remember how this used to be.
Monkey Wrench – Foo Fighters
| B5 | B5 F#5 | E5 | E5 (D5) |
What have we done with innocence?
| B5 | B5 F#5 | E5 | E5 (D5) |
It disappeared with time, it never made much sense.
Need Your Love So Bad – Fleetwood Mac
| A | A | A7 | A7 |
Need someone’s hand, to lead me through the night.
| D | D | D#dim7 | D#dim7 |
I need someone’s arms, to hold and squeeze me tight.
Papa Ain’t Salty – T-Bone Walker
| G9 | G9 | G9 | G9 |
Come home little girl, your papa ain’t salty no more.
| C9 | C9 | G9 | G9 |
Come home little girl, your papa ain’t salty no more.
Parisienne Walkways– Gary Moore/Phil Lynott
| Am | Dm7 |
I remember Paris in ’49.
| Dm7/G | Cmaj7 |
The Champs-Élysées, Saint Michelle and old Beaujolais wine.
Paying The Cost To Be The Boss – B.B. King
| B9 (Fm7b5 D#m7b5) | E9 (A#m7b5 G#m7b5) |
You act like you don’t wanna listen, when I’m talking to you.
| B9 (Fm7b5 D#m7b5) | B9 |
You think you outta do baby, anything you wanna do.
Paying The Cost To Be The Boss chords.
The Pretender – Foo Fighters
| Amadd9 | Am /B /C Am | F#m7b5 (/G) | Fmaj7 |
Keep you in the dark, you know they all, pretend.
| Amadd9 | Am /B /C Am | F#m7b5 (/G) | Fmaj7 |
Keep you in the dark, and so it all, began.
Pride & Joy – Stevie Ray Vaughan
| E7 | E7 | E7 | E7 |
Well, you’ve heard about love givin’ sight to the blind, my baby lovin’ cause the sun to shine,
| A7 | A7 | E7 | E7 |
she’s my sweet little thang. She’s my pride and joy.
The Scientist – Coldplay
| Dm7 | Bb | F | Fsus2 |
Come up to meet you, tell you I’m sorry, you don’t know how lovely you are.
| Dm7 | Bb | F | Fsus2 |
I had to find you, tell you I need you, tell you I set you apart.
Still Got The Blues – Gary Moore
| Dm7 | Dm7/G | Cmaj7 | Fmaj7 |
Used to be so easy, to give my heart away.
| Bm7b5 | E7 | Am Am/B | C (A C E) |
But I found out the hard way, there’s a price you have to pay.
The Stumble – Freddie King
||: A7 | A7 | E7 (F#7 F7) | E7 |
| A7 | A7 | B7 | B7 |
| E N.C | E N.C | A N.C A N.C | F#/A# |
| B7 C#m7 | F#7 B7 | E7 A7 | E7 B7 :||
Texas Flood – Stevie Ray Vaughan
| G7 | C7 | G7 | G7 |
Well, it’s floodin’ down in Texas, all of the telephone lines are down.
| C7 | C7 | G7 | G7 |
Well, it’s floodin’ down in Texas, all of the telephone lines are down.
The Thrill Is Gone – B.B. King
| Bm7 | Bm7 | Bm7 | Bm7 |
The thrill is gone, the thrill is gone away.
| Em7 | Em7 | Bm7 | Bm7 |
The thrill is gone baby, the thrill is gone away.
Vultures – John Mayer
| F#7sus2/4 | F#7sus2/4 |
Some of us, we’re hardly ever here,
| F#7sus2/4 | F#7sus2/4 |
the rest of us, we’re born to disappear.
