Talking About A Revolution Chords

Talking About A

Talking About A Revolution

Learn how to play Talking About A Revolution!

Find your Talking About A Revolution chords lesson below.

Rhythm Lesson

Talking About A Revolution Lesson

Learn how to play Talking About A Revolution on one Acoustic Guitar!

Go to Talking About A Revolution guitar lesson.

Lyrics

Talking About A Revolution Lyrics

Get the lyrics for Talking About A Revolution!

Go to Talking About A Revolution Lyrics.

Tracy Chapman

Tracy Chapman

Tracy Chapman took the world with storm in three songs!

Go to Tracy Chapman Biography.

Talking About A Revolution Chords LessonLearn how to play Talking About A Revolution!

The chord progression for Talking About A Revolution is very simple and has been used thousands of times before and after this release.

The I – IV – VI – V pattern has a logical movement that strives back to where it begun by moving up a 4th, up a 3rd, down a tone, up a 4th.

Repeat this and you see how we move up in 4ths from D – G – C.

These type of progressions (cycle of 4ths) are often found in cyclic patterns, but also as turnarounds in Blues (VI – II – V – I)

Talking About A Revolution guitar style

Using the extensions: IVadd9, Vsus2 and Vsus4 to vary the very traditional I IV VI V progression Tracy manage to combine three cliche’s here and still making it her own.

  1. The Chord Progression
  2. The add9 extension on the IV chord
  3. Busking style guitar arrangement

n fact, should you attempt something similar people might even say that you sound like Tracy Chapman.

The vocal message being very ‘from the street’ sounding does go hand in hand with the guitar arrangement and we get a clear message.

Combining all these factors with two more gigantic hits in Fast Car and Baby Can I hold You and Tracy Chapman’s success as a writer and artist was given before you even turned her debut album over.

To understand how chords work in relation to melodies, use the DIY TAB to write down the vocal.

As you do, notice how different sections of the song is only indicated by in which register the vocal melody starts.

Does this mean that the secret to great song writing lies within when to hit what interval?